As he’s struggling to keep his marriage together and work the road doing small club gigs, he’s also trying to get a record company to give him a deal for an album. That’s where he meets Rip Torn as an executive who might give him a chance, Allen Garfield as a Kal Rudman-type radio trade publisher who is legendary for being able to “hear a hit,” and Lou Reed (in an ironic casting move) as a producer who takes one of Jonah’s best raw songs and turns it into mush. But first, Jonah must endure the humiliation of auditioning new material for them in Torn’s office, without his band…
Simon, who wrote the script and the songs, plays Jonah with equal parts talent, wit, and sadness. It’s a shame the movie didn’t do better at the box office, and that Simon never wrote another one. “One Trick Pony” is not about a loser, nor a man of destiny, nor a musician fighting his demons (a la Jeff Bridges in “Crazy Heart” or Robert Duvall in “Tender Mercies”). Jonah Levin is a guy fighting to reclaim his place in an industry that has shunted him aside, while keeping his integrity intact.
I give “One Trick Pony” an 8 out of 10 — and a spot on my Movies You Might Not Know list.