Harris: I’ve got to tell you a quick little story. Regis was on with me years and years ago when I had a morning show. Regis has always had a morning show, but I had a morning show, too, of course, and Regis would be on with me. Every few months he’d pop on and I’d help him promote stuff that he was doing on the Live With Regis and Kathie Lee show. Then, for some reason, Regis wasn’t on with me anymore. I think a publicist stepped in and got in between us, and he wasn’t on anymore. Now here I am in the afternoons and I start getting e-mail from a guy by the name of Dan Philbin. I get this mail regularly, as Dan and I write back and forth. Many listeners write in to me and I write back to them all the time. In one of my notes back to him, I said, “Philbin? By any chance, are you related to Regis Philbin?” He said, “Well, yeah, he’s my dad, but I don’t want to make a big deal out of that.” I said, “I don’t want to make a big deal out of it either, but we love your dad and we loved having him come on the show and it would be great if that could happen again.” Now, BOOM! Here is Regis Philbin! Hi, Reege!
Philbin: Hi Paul, how are you doing?
Harris: It’s great to have you back.
Philbin: Thanks, it’s nice to talk with you. I don’t know what happened. You say a publicist got between us. I really don’t have a publicist. I really don’t know what happened.
Harris: Somebody in the office, I think the person we were speaking to left the organization and some new person came in and she said, “Oh, no, I have to protect Regis against all radio guys.” Because you know how radio guys can be, Reege.
Philbin: Well, here we are, united again.
Harris: I’m happy to see that. I have to ask you about something I saw in the news today. That is that the Miss America pageant this year is going to be adding bikinis, but subtracting Regis.
Philbin: Yeah, darn it, just when they get bikinis, I have to leave.
Harris: What happened?
Philbin: I’ll tell you what happened. I did it for, I think, four or five years with Kathie Lee, and then I did it alone last year. But we’ve had a change in the network. ABC is carrying the show this year, not NBC, and they wanted to go with a younger, hipper, funnier, better looking version of Regis, so they wound up with this husband and wife team from All My Children. I just interviewed the lady a couple of weeks ago. A very, very nice and good looking gal, Eva Larue Callohan, her husband’s name is John Callohan, and they got picked to do the Miss America pageant.
Harris: Reege, let me tell you something. There ain’t no one tuning in for Eva and John. We were all tuning in to watch you and the ladies.
Philbin: Gosh, you know, you’d be surprised that those soap opera stars have a big following. I did it, I was there, it was a lot of fun, and frankly it was all a lot of work, and I’ve moved on to bigger and better things.
Harris: Yeah, but you’ll be watching for the bikinis, won’t you?
Philbin: Absolutely! I want to see what that’s all about.
Harris: What do you think of that move?
Philbin: You know they had to do something. The Miss Universe pageant…
Harris: They’re wearing thongs on that thing.
Philbin: Exactly. There you go. So at least they’re down to bikinis. It’s going to be interesting to see what actually happens and how many of them go for the bikinis and how skimpy they are. It’s going to be interesting. If they remove any more clothing, it becomes a pay-per-view event.
Harris: How is life with you? You’ve always got dinners and openings and screenings. What are you doing tonight?
Philbin: That crazy Letterman, he wanted me to be on his show tonight, and then this morning, or rather earlier this afternoon, they postponed the sketch for another night. He kind of tied up my night and that’s why I’m talking to you so early.
Harris: What was the sketch going to be? Can you tell us?
Philbin: It was going to take place in a restaurant and I was going to be a waiter. They haven’t scratched it all together. He changes things at the last minute, and it’ll come back up maybe in a couple of days or maybe next week.
Harris: You love doing that and it’s obvious that he loves having you on the show.
Philbin: It’s great fun, and he’s got that band driving there and there’s great electricity in the audience and everybody’s up. It’s fun to see him, only if it is for a minute or two. I don’t like to be interviewed by David, but I don’t mind going on his show and participating in whatever stunt he has available.
Harris: Why don’t you like to be interviewed by him?
Philbin: I think it’s a tough seat. Did you see Pauly Shore last night?
Harris: No, I didn’t.
Philbin: Pauly died a horrible death.
Harris: Yeah, but Pauly is a moron!
Philbin: I know that Pauly has his own problems, but put the two of those together, and I’m telling you, it was like a snake pit.
Harris: I know that you’ve also had some tough times on your own show with the whole Kathie Lee and Frank thing, and I don’t want to press you too hard on that, but I do have to ask. Were there mornings where you said to yourself, after looking in the paper, “Oh, God, I’m not going in there today?”
Philbin: It was tough. The flack was really flying and the television tabloid shows were coming around. It wasn’t easy to get through that, and there were some mornings where I just hated it, but you just have to go on the air with it.
Harris: You two don’t talk before the show, but there must have been some mornings where she said, “Look, let’s not even talk about my life right now.”
Philbin: Listen, we know each other so well now — I think it’s been twelve years since we’ve been together — that I know what to bring up and she does too, and what not to bring up. Naturally, we weren’t going to talk about that situation on our show.
Harris: I’m a big fan of yours and when I think of the word broadcaster, there are few people who hit that definition better than you.
Philbin: I appreciate that. I’ve been doing it a long time, and sometimes I think that I’m a little too casual about this because, frankly, we’re on the air and sometimes I even forget we’re on the air. I just start talking to her and to the camera, and I’ve got to be more attentive, I guess.
Harris: No, don’t change a thing.
Philbin: I’ve always thought that that was a special place and I wanted to keep it that way, which is why we really don’t talk at all before the show starts.
Harris: I saw the show this morning, and I saw you sitting in the audience, introducing some rock band that it was obvious neither of you had ever heard of nor cared about, and I’m thinking to myself, “Instead of this, give me five more minutes of Regis telling a story about the Italian restaurant he went to last night and the bathroom in the back without toilet paper!” That’s what we want from you, Reege!
Philbin: I know what you mean. But you know that we do sometimes go 25 minutes, and that’s more than half the show, counting the commercials. And Gelman has got his two or three guests that he’s got to get on, so he’s having a fit. Twenty-five minutes is really enough of us and then we’ve got to start moving on to other things. But you’re right, I’d never heard of that band before.
Harris: Reege, thanks very much for coming on with me.
Philbin: All right, Paul, I appreciate it.
Harris: Is there a chance in hell we’ll ever do this again?
Harris: Oh, good, because we’ve got to keep Dan happy.
Copyright 1997, Paul Harris
Transcript by Danny Guzman